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This means users can create the desired effects even in bright light without a need for ND-filters or other equipment. There are separate settings for motion blur and light trail effects and users can shoot at shutter speeds of up to 30 seconds or in bulb mode. Shots are saved in the iPhone's Live Photo format which means they can be exported as a still image, GIF or short video clip.

Unlike the long exposure options on the Huawei P30 Pro and some other devices, the app does not correct for camera-shake during the exposure, so shooting from a tripod is recommended. More information and download links can be found on the Moment website. This is similar to the Spectre app which also does long shutters.

Spectre's offering also allows median stacking to eliminate any inconsistent elements among a series of photos useful, for example, at eliminating people from your photos assuming they all move within the 3, 6, or 9 second exposure you choose. The Spectre app also has some kind of intelligent stabilization which has allowed me to get some nice waterfalls hand-held. And don't forget that you can always convert your regular Apple "Live" photos into a short single blur shot through some swiping actions after the photo has been taken.

I am genuinely surprised that certain someones haven't yet posted "surely this will be the death blow to DSLRs. It is just liking we use phones to control real cameras.

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Most dedicated cameras do not have the processing power of phones sadly. On the flip side not many phone have af tracking, and only Sony's latest phones have eye tracking.

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Within certain limits i think no. For example if you wanted to shoot a waterfall 10s, and maximum shutter speed is 0. If the light is not too much the camera shouldn't need to elaborate a frame in a millisecond. Night mode is not designed to simulate long exposures. Can confirm; that generic "light painting" category of effects is so misleading; but night mode is an HDR-like mode that works in normal, low and ultra-low light, and usually generates a very crisp image.

Sony's new a7R IV has grabbed headlines with its new 61MP sensor and revamped autofocus system, but it also comes with a ton of refinements in terms of handling, build, and more. Find out all the details in our initial review. However, if you need the very best in autofocus and video, other options may suit you better.

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Find out all the details in our full G5 X II review. The Mikme Pocket is a portable wireless mic with particular appeal to smartphone users looking to up their game and improve the quality of recorded audio without the cost or complexity or traditional equipment. With 4K video, 30 fps Raw bursts and additional controls, it's a big step forward from its predecessor. And perhaps more interesting than the EOS 90D. What's the best camera for travel?

Good travel cameras should be small, versatile, and offer good image quality. In this buying guide we've rounded-up several great cameras for travel, and recommended the best. Long-zoom compacts fill the gap between pocketable cameras and interchangeable lens models with expensive lenses, offering a great combination of lens reach and portability.

Read on to learn about our favorite enthusiast long zoom cameras. If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. Read on to find out which portable enthusiast compacts are our favorites. Whether you're hitting the beach in the Northern Hemisphere or the ski slopes in the Southern, a rugged compact camera makes a great companion.

In this buying guide we've taken a look at nine current models and chosen our favorites. On paper the Fujifilm X-A7 appears to address many of its predecessor's shortcomings, but do those improvements add up to a better real-world experience?

Chris and Jordan head to Calgary's awe-inspiring, fire-breathing Beakerhead festival to preview the camera. This week's episode features images shot with the X-A7 from the Beakerhead festival in Calgary, along with some colorful fall scenery. Weird lens guru Mathieu Stern visited The Camera Rescue Project in Finland to check out one of the most impressive collections of film cameras in the world. Sony's a9 II announcement is likely on the horizon and newly leaked photos show off the camera in the wild once again. We've added the Canon PowerShot G7 X Mark III to our studio test scene comparison tool, so it's now possible to compare image quality between four of the top 1"-type sensor compact cameras.

Yuneec, a Chinese drone manufacturer, announced the latest model in its Typhoon series. A line of code in the latest Xiaomi camera app reveals that the company might be working on an 8K-enabled smartphone. Samsung started mass production of a 5x optical zoom camera module back in May.

If rumors are true it will debut in the Galaxy S11 series and be accompanied by a MP main camera. We've run through and summarized the best new tools, features and functionality for photographers inside iOS 13 and iPadOS Mount graduated filters at different angles with this new addition to Nisi's mm filter system. In what's now an annual tradition, iFixit has torn down the iPhone 11 and iPhone 11 Pro Max to reveal what tech Apple has packed inside. Kenko has produced a flash that works out the best bounce position for your subject and your environment - and adjusts its head automatically.

Nikon's latest Z-series prime is one of its most impressive. We've been shooting with the Z 85mm F1. Take a look at our full gallery of sample images. Canon's EOS M was one of our favorite entry-level mirrorless cameras, with an easy-to-use interface and solid image quality.

While it's not a mindblowing upgrade, we welcome most of the improvements. Click through to learn more. Samsung's newest sensor will offer a resolution of One of the Sony a7R IV's most eye-catching features is its pixel shift mode, which captures 16 separate images that can be used to create a whopping MP final image. Take a look at it in action. Was the audience as annoyed by it as Jordan thought they might be, or is he just out of touch?

Sick of sand bags and hanging stone sacks that are inconvenient to carry and sway in the wind? Rock Bar says it provides a much tidier answer to stabilizing stands and tripods. Halide developer Ben Sandofsky has discovered the ultra-wide camera on the iPhone 11 models is fixed-focus and doesn't yet support Raw capture.

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Submit a News Tip! Reading mode: Light Dark. Login Register. Best cameras and lenses And it's being able to control those fractions of a second that makes this possible. There are two elements in every camera that affect how much light enters the camera and finds its way through the lens to the camera's sensor. One is the aperture and the other is the shutter. The aperture is the opening that can be adjusted to allow more or less light to enter the camera.

The shutter is the mechanism that determines how fast the aperture will open and close. The slower the shutter speed the more light that enters the camera. Shutter speeds are measured in seconds. The camera's shutter speed determines how the action in a photo is recorded. A fast shutter speed can freeze action, even stopping a hummingbird's wings. A slow shutter speed can let action blur or even make a moving subject seem to disappear.



First, let's look at how a high shutter speed can stop action. When you want to take a picture that stops the action of your subject, you have to first consider the speed of the action. The speed of the blades of a helicopter in flight is much greater than that of a kid biking down the street. Thus, the shutter speed you choose has to be relative to the action you're trying to stop. Sometimes it's better to not stop action and let it blur instead.

This type of blur can add to the feel of the picture. In the case of the helicopter, showing some blur in the blades may look more natural than having them stopped completely while in mid-flight. The proper shutter speed for achieving the amount of blur you want is dependent on the speed of the action. As you begin to work with shutter speeds, you'll learn there are different types of blur. For instance, blur can be brief or pronounced.

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The slower the shutter speed, the easier it will be to see the resulting blur. Traditional blur is when the camera is being held still and a moving subject is photographed at a slow shutter speed. In that case the non-moving area around the subject will be captured with no blur, and only the subject will be blurred.

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Panning is when you do essentially the opposite. In panning you follow the subject with the camera during the action, actually tracking the subject. Doing that means the background will now blur because you're moving the camera during the relatively slow exposure. And because you're tracking the subject, it's possible that part or all of the subject will be captured with little or no blur. This technique is very effective when it works.

The key to making a successful pan shot is to shoot a lot of photos.